对于大型皇家园囿而言

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园囿,皇家,而言,对于,大型

对于大型皇家园囿而言,无论是“景“的位置或建筑群体本身的平面及体形组合,在不同程度上都会受到看与被看这两种视觉要求的制约。即使是对景、框景、尽管制约关系比较严格,也力求含蓄自然,尽量表现为一种无所为而为的样子。

For large royal gardens, whether it is a "scene" the location of the combination of plane and shape or construction group itself, in different degree, and will be looking at these two visual requirements. Even places, framing, though rather strict restriction, and strive to reservation is natural, as far as possible is shown as a kind of inaction to look like.

尽管大多数园林建筑采用内向布局形式,但由于园林建筑毕竟不同于一般建筑,无论从景观或观景角度出发,都不能不顾及周围环境而采取闭关自守的态度。

Although most garden architecture USES the introverted layout form, but due to the garden architecture, after all, is different from general building no matter from the Angle of the landscape or the view, can take into account the surrounding environment and closed attitude.

为此,还是有相当一部分园林,特别是处于大型皇家园囿中的园中园或建筑群,则多采取部分内向、部分内向、或使内向与外向相结合的布局形式。

Therefore, there are still quite a number of garden, especially in the large YuanZhongYuan or buildings in the royal gardens, take some more introverted, part, or make the combination of introversion and extroversion introversion layout form. 这样的园中园或建筑群,不仅具有良好的景观效果——外观开敞而富有变化;而且又能给观景提供有利环境——从这里可以眺望或观赏远山近景

Such a YuanZhongYuan or buildings, not only has good landscape effect - open appearance and be full of change; And good environment can give the view from here overlooking or watch the distant mountains close shot

该方案主要采取内向外向相结合的布局形式——向内可观园,向外可观景,可鸟瞰整个园区,具有北方皇家园林的气派

The scheme is mainly combined extroversion introversion - significant inward garden layout form, handsome outward scene, can have a bird's eye view of the whole park, with the northern royal garden style

和藏于露相联系的是引导与暗示。某些藏得很深的景,如果没有引导便无法接近,这样的景或者渴望而不可及,或者根本不可能被发现。至于露,它本身就有暗示的作用,例如园林中的游廊——呈现细长的空间形式——通常具有极强的导向性。由于它总是向人们暗示沿着它所延伸的方向走下去必然会有所发现,因而处于其中的人总不免怀有某种期待情绪,巧妙地利用这种情绪,便可以借游廊把人不知不觉地引导至某个不确定的目标——景所在的地方 And in fifteen contact is to guide and suggestion. Some hidden deep in the scene, if no guide cannot close to, such a scene or desire and, or can't be found. As far as the dew, it itself has hinted that the role of the veranda - such as garden appear elongated space form -- usually has a strong guidance. Because it is always suggested to people along its extension direction will inevitably find and thus is one of the people always unavoidably have some kind of mood, clever use of this kind of mood, you can borrow the veranda to lead to a person's uncertain goal - a scene 据要求,园林博物馆室内展园需基于文献记载和现存园林实例,在内庭外园中复原具有代表性的传统园林精品。根据所选复建园林特征,抓住其山水形胜、布局特点,结合其所处地域、时代等因素综合考虑,在园内选址复建。借鉴古典园林悉仿、小仿和意仿的造园手法,在有


限的用地内达到至广大,尽精微的艺术效果,绘制一幅立体写意山水画卷。卷幅上名园集锦,将不同区域、不同时代的园林精品相互并置,彼此贯穿渗透,使来访者最终获得对中国传统园林的完整体验。

According to requirements, the garden museum interior ZhanYuan should be based on documented instances and existing gardens, including out-of-court recovery representative traditional garden garden products. According to the selected rehabilitation of landscape characteristics, grasp its by mountains and rivers shape victory, layout characteristics, combined with its regional, age factors such as comprehensive consideration, the reconstruction in the gardens and site selection. Classical gardens for reference about imitation, imitation and meaning imitation gardening technique, to reach the general within the limited land, to the best of the art of subtle effect, draw a picture of a three-dimensional freehand brushwork in traditional Chinese landscape picture scroll. On the volume of famous collection, garden products, different regions, different period in which mutual collocation, each other throughout the penetration, make visitors finally get to the Chinese traditional garden full experience.


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